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Dori working on site

Over the past 18 years I have established myself as a respected and invaluable asset to countless tours and productions and have used my expertise in theater and music production, tour management, technical design, audio design and engineering to provide my clients with invaluable insight, professionalism and flawless performances.

I began my professional career in NYC in 2001 with a busy sound company based in Brooklyn, NY and quickly grew in my command of different systems and performance niches.

In the following years, I continued to establish my career as a sound engineer, working in live music venues and for multiple prominent and up-and-coming artists around the NYC area.

I joined Teev Events in 2003 and worked for over a decade alongside David Azulay to produce both theater and musical tours worldwide.

In 2005 I teamed up with a good friend and mentor, Val Gamarnik, as we assumed the responsibilities of the production department of the BB King Blues Club in Times Square- one of the leading live music venues in NYC.

In 2009 I further honed my skills by starting to work with leading Israeli artists, such as The Idan Raichel Project, Mashina and Rami Kleinstein, both domestically and internationally as a sound engineer and technical manager.

I gained additional experience collaborating on large scale festivals and TV shows like “Israeli Idol” and “Dancing With The Stars”.

Currently, I am working as a freelance audio engineer and technical director for several companies such as Starway Productions, 3G Productions (Dew Tour, Insomniac EDC Festival) and Teev Events (IAC National Conference and Save a Child's Heart Gala).

 

For the past 2 years, I have also been collaborating with internationally-acclaimed Latin Grammy award-winning and Billboard Latin Music Hall of Fame inductee Marco Antonio Solis. I am currently touring domestically and internationally with Mr. Solis and his team and providing my services as the principal audio system engineer.

Services 

Services 

PRODUCTION MANAGEMENT

 

 

  • Organizing and supervising all logistical and technical aspects of the production.

  • Collaborating with our client's concept and design teams to execute their ideas effectively into the production.

  • Recruiting all vendors necessary to the production and supervising them at the production site.

  • Assisting artists and anticipating and satisfying their needs from the production.

  • Collaborating with venues to coordinate the needs of the production.

  • Serving as Crew Chief, Production Manager and Technical Director for national and international productions.

 

TOUR MANAGEMENT

 

  • Consulting with the artist and production team to recognize the creative vision of the production.

  • Designing the tour schedule, including scheduling and routing of transportation.

  • Working with the artist's management, PR department and booking agents to create an efficient tour plan.

  • Coordinating production expectations involving transportation, gear, hotels, and venues.

  • Domestic and International tour experience with both music and theater productions.

  • Managing the logistics and the technical aspects of the tour as well as merchandise and payroll for the artist.

 

RETAIL STORE SOUND DESIGN 

 

  • Retail store sound system design from concept through completion.

  • Customizing the sound system to enhance the audio experience in multiple spaces of the store. 

  • Assessment and adjustment of the audio both in the interior and the exterior of the store.

  • Consultation and customization of playable devices for audio tracks.

 

TECHNICAL CONSULTATION

 

  • Extensive experience with the leading light and sound designers worldwide.

  • Tour expertise with moving productions and touring conditions.

  • Substantial experience with theaters and music venues.

  • Leveraging strong industry relationships with an extensive roster of venues, technical information, and personnel.

 

AUDIO DESIGN

 

  • Complete from concept to fruition audio system design to artists, events, and productions around the world.

  • Utilizing in-depth knowledge of various systems such as Lake, sound vision, Array Calck, Digico, Avid, and Midas digital and analog consuls, among others

  • Sound system design for events, festivals, concerts, and corporate events. 

 

For acquiring additional info about the different services please Contact me.

 

CERTIFICATES

 

 

 

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Clients

Clients

Marco Antonio Solis

Tour Manager / Production Manager

Marco Antonio Solis / FOH System Engineer 2017 - Present

Teapacks 2007 USA Tour / FOH & MON engineer

Hadag Nachash

The Aluminum Show

Films

Mosh Ben Ari

Resume

Resume - DORI ROBERTS

PRODUCTION MANAGER / TECHNICAL DIRECTOR

 

  • Highly experienced event Production Manager and Technical Director offering strong performance in all aspects of event production, negotiations, vendor management, and multimedia productions.

  • Managed hundreds of successful large-­scale events for high-­profile clients.

  • Strong relationship builder who is capable of managing and executing productions and events that consistently meet and exceed goals and objectives.

  • Thrives in fast-­paced and challenging work environments with a calm and pleasant demeanor.

  • In-depth knowledge of principles, methods, and logistics involved in high-end event production.

  • A loyal business partner and customer­‐focused achiever dedicated to providing outstanding client experiences at the highest levels of service excellence.

 

CORE COMPETENCIES

 

  • Touring productions

  • Live television broadcasts

  • Live sporting events

  • Corporate events

  • Live sound engineering

  • Client and account management

  • Audio & office networking setup

  • Audio system designer

  • Audio processing

  • Audio consultant

  • Lake processors

  • SMAART

  • d&b Audiotechnik

  • Waves Soundgrid

EXPERIENCE & ACHIEVEMENTS

MARCO ANTONIO SOLIS

2018 – Present

FOH System Engineer / FOH Engineer

 

  • Pioneered the FOH System Engineering role, elevating the shows audio experience to a level previously unheard

  • Provide expert audio design for each show’s sound system, taking into consideration the production needs and venue requirements and limitations

  • Execute, tune, and verify the functionality of the audio system components while keeping current with the latest technology and tools available

  • Reliable, diligent, punctual, attending all shows, rehearsals, festivals and tours as required

  • Use considerable expertise to step outside of the confines of the role in order to go above and beyond for the team; for example, setting up complex multi-track archival recording and Waves MultiRack Soundgrid system

  • Efficiently and successfully troubleshoot any issues that may arise at any stage of the production process 

TEEV EVENTS INC, Los Angeles, CA

2003 – 2018

Production Manager, Tour Manager & Tech Director

  • Through hard work and strong drive, gained over a decade of experience managing and directing productions within the spheres of music, theater, corporate-sector, and private-sector

  • Gained wider experience and varied technical perspective by touring both internationally and domestically

  • Effectively managed all pre-production and on-site production for every single event and tour

  • Supervised logistics, technical advancing, and coordination with a large variety of vendors using strong attention to detail

  • Continue to provide all services at a consistently high level as a sub-contractor

 

3G PRODUCTIONS Los Angeles, CA                                                                                          May 2016 - Present

Lead Sound Engineer / Production Manager

  • Provide expert as well as personable customer service and technical support to end-clients, artists, artist’s management, and their crews on and off stage

  • Coordinate schedule, gear and workflow with the on-site crew to ensure a complete, exceptionally smooth day of show  

  • By consistently exceeding expectations, and based on proven ability, hard work, and notable experience, was entrusted among many to provide support as a system engineer and FOH for a variety of event types and stages including, but not limited to, EDC Festival and DEW Tour

STARWAY PRODUCTIONS

May 2014 - Present

Lead Sound Engineer

 

  • Avid team player, ready and willing to pitch in to assist in all areas of production, sound and otherwise, with the ability to humbly recognize and respect the managers of other departments in order to achieve the bigger picture of success for the event overall

  • Chosen to lead the company’s first-time deployment in a national arena tour with the Marco Antonio Solis 2017 Tour

YOUNES & SORAYA NAZARIAN CENTER FOR THE PERFORMING ARTS, SCUN Northridge, CA

January 2015 - Present

Sound Engineer

 

  • On-call lead audio engineer in the brand new, state-of-the-art, 1800-seat-capacity theater

  • Provided audio services and solutions for the house and touring productions

  • Supported, trained, and taught the crew how to utilize the venue’s high-end gear, facilitating diverse ways to achieve the perfect show

  • Coordinated gear and production schedule with the house production manager to ensure a smooth and productive day all around

THE ALUMINUM SHOW International Tour 

October 2009 - November 2011 / 2016 USA tour

Production Manager, Tour Manager, and Tech Director

 

  • Managed over 280 shows on a worldwide tour – USA, Brazil, Spain, and Russia

  • Rebuilt, redesigned, and executed every aspect of touring production from the ground up, creating a highly organized system to facilitate the tour

  • Accurately coordinated gear shipping, company travels, insurance policies, payroll, and media coverage, collaborating with publicists and advertising agencies

  • Coordinated all production needs with venues, producers, vendors, and production companies supporting the show


 

BB KING BLUES CLUB, New York City, NY

September 2005 - June 2009

Assistant Production Manager / FOH + MON

 

  • Loyal and dependable technical services for a large number of diverse national and international acts

  • Started from the bottom as a stage tech and made my way up to engineer level

  • Self-taught to operate analog and digital soundboards

  • Gained valuable experience in audio inventory, maintaining audio gear, cables, and backline gear  

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